Craft in Focus: Ceramic Artist Ana Vizurraga

This is the first installment in a new series featuring fellow studio craft artists who, through their studio practice, are engaging life in the early 21st century in a variety of inspiring ways.  This series is also borne of a desire to illuminate craft as a sublime and appropriate undertaking  in a time of social, political and economic complexity.  At its core though, this series is about the life and work of grounded artists sharing a passion for craft in all its nuanced glory. I’d like to open this series with a little sketch of my long-time friend, Ana Vizurraga.  Ana is among…

If not now…

I am in the early stages of fully reёvaluating and re-purposing my blog in the face of a fundamental shift in values underlying my studio practice.  What follows is the first of many posts focusing on what it means to me to be a designer/ maker in the early 21st century – a time when a recognition of the Earth’s limits necessitates redefining how we work, how we engage with each other, and how we preserve the planet’s finite resources (and honor its complex systems). A point of beginning.  I am a one-person show, manufacturing on a micro scale.  Arguably,…

Chaos and the Leading Edge: Part I of Many

The High Museum of Art in Atlanta recently hosted a collection of works by the Dutch designer, Iris Van Herpen (“IVH”) (Iris Van Herpen: Transforming Fashion).  The show was diverse and complex and I am grateful I was able to make it to the museum before it closed earlier this month.  I was immediately inspired to write about it.  Interestingly, the process of writing opened up a whole new way of looking at my own work.  Before I returned to my modest exertions in the studio though, I recorded these thoughts and observations about the exhibition. **** Point of beginning: …