Winding down a crazy year with a final studio update.  I thank you for following and look forward to the possibility of seeing you in the new year! K.C.


I’ve been busy with several strands of work since the year began.  Each have, in their own way, been integral to my overall practice.  Some of them will continue to be so.  Here are the highlights:

Natural Dyes. In keeping with my work earlier this year as well as in previous years, I continue my deepening understanding of natural dyes and their applications.  In recent months, I have worked in a more focused way with yellow and brown tannins (Cutch and Pomegrante primarily).  By blending these tannins with Indigo, and shifting them with iron, a surprisingly wide range of surface design possibilities exist.  You can see some of my recent results with Pomegranate rind in my Instagram/FB feed.

Pomegranate Direct Application
Tannin/Indigo/Ferrous Modules
A “Receptive” Vessel In-Progress

Stitching.  The work I have been doing with stitching has proved to be incredibly beneficial as a centering practice, as calming as it is creatively stimulating.  I recently posted on a diptych I created for the 2020 Hambidge Auction.  These stitched works began as modules for a natural dye sampler quilt. As I began to stitch more frequently, I realized that their creation offered space and time for intentional grounding. To that extent, the modules have become elements of a personal time capsule – part of the narrative work that will mark my pandemic experience. As both singularities and parts of a larger composite, they tell me a story of an effort to find some sort of stability in a very unstable, uncertain time. Hand stitching, especially the running stitch, can be deeply spiritual in its repetitive, focused, quiet rhythms.  I have found in “stitch space” a calm refuge – necessary more than ever right now.

Artwork: 3-D.  I have also begun building 3-dimensional “containers” or “vessels” which I am collectively calling “Receptive”.  They are slow-going and emerge when the time is right.  2-D – My work with Black Walnut Hull and other inks continues, as does my work with enhanced monoprints. I will have more to say about these streams of work in the future. 

And finally…Petal-Una Collection.  Petal continues to be a destination for much of the naturally dyed/painted/printed cloth I produce in the studio. While it has been a slow year, I still managed to pull together a diverse collection. The images below include Cutch, iron-modified Cutch, and Indigo-dyed pieces.  I am already brimming with enthusiasm and possibility for the 2021 collection! Visit Petal-Una Collection.

Petal-Una Collection – Part of the Fall 2020 Group