This journal has revolved around my enriching experiences running a small textile/fiber studio.  Now more than ever I am revived and inspired to continue recording my reflections on those experiences.  After a year of health issues, I have returned to the studio to reunite the many strands of my practice and forge a path forward.  Here’s a recap/update of how things have unfolded/are unfolding so far this year.  My focus until recently has been my wearable work so I will start with it.

I have been spending more technical and production energy on developing fabrics for my micro wearable line, Petal-Una Collection (where you can also find my Petal Insta and FB page links).  Between dips in my indigo vat and direct application (painting and printing) of natural dyes, I am shifting my wearable practice to incorporate cloth enriched with more naturally sourced colorants. I have written in the past about my intention to integrate naturally sourced colorants into my work and to address sustainability in my own studio practice.  As a small textile and fiber workshop, I am arguably already producing a sustainable product but there is always room for improvement.  From examining material sourcing and supply chains,  to energy use, and material waste reduction and reclamation, I continue to look for ways in which I can be more sustainable as an artist/designer-maker.  It is a process.  A major step for me is the embrace of more conscious fabric enrichment practices in my wearable work. About Petal-Una: Every season I produce a ready-to-wear group (as well as commissioned work).  I market my wearable pieces through studio events and, when available, on-line.

Other Work:

Decorative/Interior.  I have focused primarily on felted works in the decorative realm but I am currently developing a new collection of textiles incorporating the technical groundwork I laid while creating cloth for the Petal-Una collection (as noted above).  These decorative works will include a new line of architectural 2-d pieces.  Images will be coming in the next couple of months. In the Atlanta area, his work is exclusively represented by Markay Gallery in Marietta, Georgia.  Links to the Kathy Colt Artisan Insta and FB pages are in the left sidebar on the homepage of this website.

Special Creative Projects/Artwork.  I am also in the process of developing new work pathways in this stream.  Of all of my work subsets, this is the most related to personal excavation, elucidation, and articulation.  Its development marches behind that of its more visible creative siblings but it is still alive and well. I will have more to say about this work in the future.

Teaching.  Finally, looking ahead, I will be reintroducing the teaching component into my studio practice and outreach.  Workshops will resume this Fall (2018).  Information and a calendar will be coming soon and will be announced in the usual locations.

Thanks for reading! 
Late Spring 2018.

I feel like the year has been progressing at a rapid pace (even though it is only January 19th!)  2016 was the “year of the wearable” for me, primarily.  I am beginning to find flow in my wearable art line, petal-una collection.  That work will continue this year, likely branching, as usual, in a variety of directions…but all pointing back to the center – all of my work in the studio circles back on itself, cross-referencing, cross-fertilizing.  In addition to creating art-wear in 2016, I was gifted with the opportunity to expand the horizons of my fine art fiber and interior textiles work via a decorative “tile” commission.  2016 may have been a relatively light year for art and interior works but I am ready to resume that stream of work in earnest and look forward to exploring new territory as I dive deeper into 2017.

In the spirit of fresh beginnings, I forgive myself the laying aside of regular posting and other essays/investigations initiated in this journal.  My best-laid plans to more deeply pursue natural dyes were “bookmarked” while I worked on my wearable line.  I will return to the naturals and pick up where I left off in the coming months.  As for the other perennially set-aside plan to post regularly here, I once again begin the year with hopes of improving on that front.  To the extent that I do post anything at all, I greatly appreciate your reading and following in this and other platforms (links to all of them are scattered throughout the opening page of this site)!

Wake up and stay awake.  Connect and stay connected.  Jump into the fire occasionally then dive into the one Ocean with complete surrender.

January 2017. K.C.

P.S. The images are from my Instagram feed – the “best 9” from 2016.

It’s hard to believe the Summer is almost over – it went so fast and I am now preparing for an intensive month of production in the studio! 

We concluded the Surface Design/Fiber-Reactive Series with two back-to-back sessions:  The first was dedicated to creating a color study “chart” using fiber-reactive print pastes.  Our second day was devoted to using these charts as a resource for a continuation of paint and pattern exploration on a variety of fabrics.  For images from our last session see https://posietex.wordpress.com/2013/06/26/surface-design-workshop-i/).  Workshops at Studio Mariposa resume next Spring (the schedule will be posted in late-January, 2014).   Here are some images from this past weekend:

This piece is inspired by the generous, triangular “mantillas” I saw while visiting Madrid some years ago.  I have had a vision of being cocconed in a felted version for years.  The process of designing one has resulted in an emerging theme for me: working with modular pattern repeats…in this case, building on a favorite surface pattern (a “web-wave” variant) with some light relief elements.